Everybody Loves Lists
It takes a certain amount of intelligence, familiarity, and obsession to list the best hundred of anything. It also demands an inordinate surplus of self-confidence or just-plain moxie. With regard to my subject here, I have all of this. I live and breathe the narrative medium known as the motion picture. I understand how it succeeds and how it fails. And I have seen more films than you. Those whom I call friends can attest this brute fact.
I also boast cinematic hubris to spare. If you think your favorite film is one of the best one-hundred of all time, yet it appears not on my own Top 100 Films of All Time list (which I will shortly unveil), I am sorry to have to break you the news, but… your film (Magnolia, Titanic, Goodfellas, American Beauty, Forrest Gump, A Clockwork Orange, et cetera) is, quite simply, not as good as Evil Dead II (#96).
And that is that.
There is no use arguing the matter because you are wrong and should accept that you do not know what you are talking about. So stop complaining and leave this to the professionals—yes, I was once paid twenty-five dollars for my review of Beautiful Girls and that indeed makes me a professional.
Really, I think it comes down to this. The one detail that qualifies me for this task is the fact that I am right. Therefore:
1
Fight Club
Year: 1999
Country: US
Director: David Fincher
Notable Actors: Brad Pitt, Ed Norton, Helena Bonham Carter
Running Length: 139 minutes
Comments:
David Fincher has a flair for looking at life through a scarred lens, but with Fight Club he takes that wounded perspective and channels it into a tale worthy of its gaze. This is the kind of film that adjectives like "gritty," "edgy," and "dark" have long been employed to describe—so much so that those words have been rendered as trite cliché. Yet each truthfully describes this masterpiece of vision. Others follow. Caustic. Absorbing. Angst-ridden. Slick. Hard. Violent. Sexy. Nihilistic. Cynical. Psychotic.
Or more to the point: perfect. Fight Club is one fine piece of filmmaking. From its flawless acting to its fine-eyed editing to its trancing soundtrack to its blinding cinematography to its bile-induced narrative to its mind-bending screenplay to its masterful direction, Fight Club stands as a film without flaw. Its tension and anger keep its viewer strapped-in, afraid to miss what may come next. It builds and builds and builds toward an unstoppable point of release and when all is said and done, the film has just begun to take its affect on the viewer.
Fight Club is one of those rare films that stays with a person through the days, weeks, months, years after having seen it. It is an experience to be puzzled over.
Comments:
Quite simply the most astonishing piece of epic filmmaking ever produced, Kurosawa’s tour de force lasts well over three hours, but never feels like it. The acclaimed director pulls out all the stops to craft a film both elegant and rugged, both heroic and tragic, both epic and personal, and both action-packed and introspective. Kurosawa’s control over actors, scenes, cinematography, and even the weather are legendary and this film demonstrates that talent beyond questioning. Filled with moments of great tension and others of touching poignancy, Seven Samurai trots at a strong pace towards its finish until the final half-hour when it hits a full gallop to reach its climax. The chaos of a stormy downpour conspires with the chaos of honest swords-and-horses battle to present the finest of cinematic climaxes.
Josh Becker is quoted as saying, "The thing that I still love about movies is that, for the course of the time you are watching a movie, you can absolutely believe there’s a God. There’s the hand of a creator leading these people to their logical conclusions." While I really do believe in a God bringing people to their conclusions in reality, Becker’s point is well-taken. In film And that hand works to no better result (though it remains untraceable for the film’s duration) than it does in Seven Samurai and its conclusion.
3
Snow Falling on Cedars
Year: 1999
Country: US
Director: Scott Hicks
Notable Actors: Ethan Hawke, Youki Kudoh, Max von Sydow. James Cromwell
Running Length: 127 minutes
Comments:
How this film escaped becoming touted as one of the best of 1999 is beyond me. Delicious filming combines with a truly heartfelt story and solid acting to form one of the most moving of moving pictures ever. As many times as I’ve seen the film, I still cannot help being overcome with its crushing grandeur.
4
Casablanca
Year: 1942
Country: USA
Director: Michael Curtiz
Notable Actors: Humphery Bogart, Ingrid Bergman, Claude Rains, Peter Lorre
Running Length: 102 minutes
Comments:
Thoroughly romantic in spite of his wish not to be, Bogart’s Rick oozes that kind of charisma that every man wishes were his. Though the adventure and drama of the WWII-era story is entertaining enough on its own merits, Curtiz’s world-renown film is built on a rich character study of a man stripped of all he loved and then offered it anew, though at a steep ethical price. Will the man who has given up on ethics renounce his morality in deed as he has in word? Will he prove to be the hero we so vaguely want him to be? Such are the questions and tensions so trenchantly built into the wonder that is one of the most enduring love stories of all time.
5
Citizen Kane
Year: 1941
Country: US
Director: Orson Welles
Notable Actors: Orson Welles, Joseph Cotten
Running Length: 119 minutes
Comments:
With his ill-advised and thinly-veiled bio-pic of William Randolf Hearst, Orson Welles simultaneously created what is arguably the most influential films of all time and doomed his career as a filmmaker. Despite Hearst’s childish politicking and blackball of Welles and everything he did, Citizen Kane truly is a magnificent cinematic creation. Every single short builds on the one that preceded it and ushers in the next. The story itself is as ambiguous as the man it portrays—so many questions are left to the viewer to conclude on his own. Did Kane die? What did Rosebud represent? Was it all a dream? Kane, far and above just an extraordinary film, sets forth a legacy of cinematic virtues and well-deserves its place in the pantheon of film giants.
6
Dark City
Year: 1998
Country: US
Director: Alex Proyas
Notable Actors: Rufus Sewell, Jennifer Connelly, William Hurt, Kiefer Sutherland
Running Length: 100 minutes
Comments:
Forging German Expressionism, classical noir motifs, and a sci-fi dystopia into a hardened steel top-notch storytelling. With reserved use of effects, Proyas crafts a sinister world of spiraling madness where nothing is as it seems and those who seek truth are only moments from oblivion. Atmosphere is at a premium as well, and the world of Dark City throbs with dark, anachronistic excitement.
7
Gattaca
Year: 1997
Country: US
Director: Andrew Niccol
Notable Actors: Ethan Hawke, Jude Law, Uma Thurman, Alan Arkin
Running Length: 101 minutes
Comments:
One of the most meaningful films I’ve seen recently, Gattaca eschews most of the fancy, high-budget effects typical its genre. The science of this believable science fiction takes a backseat as we watch human drama unfold. And as ever, it is God’s creation that holds our interest above and beyond man’s creations. Mixing elements of crime thrillers, romances, and A Brave New World, Niccol’s best film leaves us with a moral without ever preaching to us. It respects its audience too much for that.
8
La Cité des Enfants Perdus (City of Lost Children)
Year: 1995
Country: UK
Director: Marc Caro & Jean-Pierre Jeunet
Notable Actors: Ron Perlman, Dominique Pinon
Running Length: 112 minutes
Comments:
This is one of the strangest movies I’ve ever had the pleasure of seeing. Not awkward, Blue Velvet strange, but a wonderful, fantasy kind of strange. Caro and Jeunet solidify their reputation for the baffling (began with their 1991 classic, Delicatessen), offering the tale of a knight of sorts questing to rescue not the fair maiden (who is already by his side) but the little child he has adopted as a brother, kidnapped by the villainous Cyclops. Ever producing the unexpected, the French duo turns a very dark film into one of joy and excitement.
9
Brazil
Year: 1985
Country: UK
Director: Terry Gilliam
Notable Actors: Jonathon Pryce, Michael Palin, Robert De Niro
Running Length: 142 minutes
Comments:
Turning his Python-esque skills of socio-political skewering toward the technological revolution and governmental bureaucracy, Gilliam molds a disturbingly humourous image of a world gone haywire. Never one to offer a blind optimism Gilliam fights to keep his hero’s feet on the ground, no matter the cost, and the results of this struggle against his own protagonist are incredible to watch. One of the most astounding things is that any of Gilliam’s films ever got made in the era before digital manipulation.
10
Schindler’s List
Year: 1993
Country: US
Director: Stephen Spielberg
Notable Actors: Liam Neeson, Ralph Fiennes
Running Length: 197 minutes
Comments:
In every way disturbing, Schindler’s List stands in the hallmark of wartime drama. Spielberg deftly crafts a response to the horrors that mankind inflicted upon itself during the Holocaust. In fact, though he did not intend it (the focus is on the heroism of the film’s titular protagonist), Spielberg has created one of the strongest indictments of humanity ever to reach the screens of mainstream America. Gorgeously filmed in black and white, Schindler’s List paints bleakly the landscape of human cruelty and degradation that scarred the conscience of a generation. Though I can only watch it sparingly, I hope with all my heart that the film is never lost to any generation for it will always serve to remind us of what man is capable if left unchecked.
11
Das Boot (The Boat)
Year: 1981
Country: Germany
Director: Wolfgang Petersen
Notable Actors: Jürgen Prochnow
Running Length: 216 minutes
Comments:
When critics talk about "edge of your seat excitement" or "fingernail biting tension," they can really only be comparing the film to which they refer to Das Boot. The tension is crushing and the anticipation palpable. There is no film that is so absolutely draining as is this German war film. The heroes are trapped on the U-boat to which they are assigned by the threat of the Allied war machine. Every submarine movie since 1981 is a pale imitation. Against my usual opinion on these matters, I highly recommend viewing a dubbed cut (rather than subtitled), so you can indulge fully in the horrifying claustrophobia of the film without distraction of having to read. Oh, and definitely watch it in the dark.
12
Il Buono, il Brutto, il Cattivo (The Good, the Bad, and the Ugly)
Year: 1966
Country: Italy
Director: Sergio Leone
Notable Actors: Clint Eastwood, Lee Van Cleef, Eli Wallach
Running Length: 161 minutes
Comments:
While Leone’s spaghetti western style was made famous by A Fistful of Dollars (his Eastwood-starring remake of Kurosawa’s Yojimbo), The Good, the Bad, and the Ugly will remain his most enduring film. Every element is beautifully orchestrated, from the sparse dialogue to the artistic camerawork to the defiant and animal soundtrack (the ay-yi-yi theme is still the first gunfight music that comes to mind in the social consciousness). The threeway gun-duel in the closing minutes of the film is still the best (and most emulated) gunfight ever filmed. The fact is, I hated westerns before I first saw this film a just out of high school. And now a western is Number 12 on my all time list. Impressive to say the least.
13
12 Monkeys
Year: 1995
Country: US
Director: Terry Gilliam
Notable Actors: Bruce Willis, Brad Pitt, Madeleine Stowe
Running Length: 129 minutes
Comments:
Time travel films have always been intriguing and the paradoxes they necessarily employ are provocative, but if that is all 12 Monkeys had to offer, then it wouldn’t be where it is. While the film treads tired ground, it adds enough to the sub-genre to remain fresh and alive. And outstanding performances by Willis, Stowe, and Pitt (especially!) add a depth and range to the whole endeavor unreached by other time-travel stories. Slightly cautionary, as par for the Gilliam course, the film develops a strange rhythm of action and exposition that allows the viewer to slowly piece together a puzzle that is never quite unveiled—even at the film’s end.
14
Donnie Darko
Year: 2001
Country: US
Director: Richard Kelly
Notable Actors: Jake Gyllenhaal, Maggie Gyllenhaal, Mary McDonnel, Drew Barrymore, Patrick Swayze
Running Length: 112 minutes
Comments:
After having put off watching a film that looked too "indy" for too long, I finally embarked on the Darko voyage (dragging several friends with me). I was stunned. How could this amazing little film not have garnered more press or a wider distribution? While certainly as dark as the title would imply, Donnie Darko is incredibly humourous and thoughtful as well. Equal parts dark comedy, sci-fi gobbledygook, spiritual journey, and coming-of-age angst, Kelly’s first outing as a full-length filmmaker is astounding. Even his choices of music are inspired. This is yet another film that sets the wheels of one’s mind turning and won’t allow peace for some time.
15
Nuovo Cinema Paradiso (Cinema Paradiso)
Year: 1988
Country: Italy
Director: Giuseppe Tornatore
Running Length: 123/170 minutes
Comments:
A film of wonder and delight, Nouvo cinema Paradiso (its Italian title) follows via flashback the life of little Salvatore as he matures far into adulthood and tries to put meaning to his life. At all times sweet and endearing, Tornatore’s production stands as a love letter to the cinema. Written delicately with humour and heart to spare, Cinema Paradiso is entirely romantic and pulls unabashedly at every movie-lover’s heartstrings in a manner neither gratuitous nor formulaic. As the final scene rolls, I can only sit and marvel—even as Salvatore does the same.
Note: the shorter international cut is preferred in spite of the fuller story of the longer Director’s Cut.
Comments:
Set in an ancient and mythological Japan, Studio Ghibli’s tale of a young prince on a quest of knowledge and truth is truly epic in scale. Miyazaki excels in producing films choking on rich characters. Never demonizing villains or patronizing heroes, he builds worlds where antagonists are charitable and humble, while protagonists bicker, rage, and exhibit jealousy. In short, his films are never simple.
And yet they felt like it.
Miyazaki’s hand of creation is so warm and gentle that one hardly notices wear he is being led—he only knows that it is a place of wonder. As all of Studio Ghibli’s animated productions, Mononoke is lush in its animation. Remember all those cheap Hanna-Barbara cartoons from the 70s? Compare them to the average Disney film. The animation was awful by comparison. Now replace Disney with Mononoke and put Disney in Hanna-Barbara’s shoes. That is the quality invested in this film.
17
12 Angry Men
Year: 1957
Country: US
Director: Sydney Lumet
Notable Actors: Henry Fonda, Lee J. Cobb, Ed Begley
Running Length: 96 minutes
Comments:
Accept no substitutes. Remakes are for the birds. This is one of the most well-acted films you’ll ever find. With nearly the entire film taking place in on room (and its adjacent bathroom), there is no fluff to get in the way of high drama. In what seems like an open and shut verdict for a murder case, Henry Fonda is the one out of twelve jury members who thinks the defendant might be innocent. On the hottest day of the year, reasons are the last thing the others want to hear—yet still, ever the man of his convictions, he pursues truth over convenience and is in for the fight of his life. And the life of the defendant. Utterly gripping.
18
Memento
Year: 2000
Country: US
Director: Christopher Nolan
Notable Actors: Guy Pearce, Joe Pantoliano, Carrie-Anne Moss
Running Length: 113 minutes
Comments:
The infidelity of memory. Christopher Nolan's sophomore film creation, the noirish Memento, bleeds a violent forgetfulness. And a painful ambiguity. And a bleak uncertainty. His amazing and abrupt study of mental corruption plays with the viewer's expectations and leaves each one with a different understanding of "what really happened."
The film creates that same kind of tension that is found in all mysteries by allowing the audience only selected pieces of information at a time and only as the final scene ends does the viewer have an accurate portrait of what has really occurred. Or not. Nolan, by superb direction, turns what could have been a lackluster tale of vengeance (a la Payback or The Patriot) into something much more. While dealing handily with the pain of forgetfulness, Memento delves, at heart, into an exploration of how easy it can be to convince oneself of something other than reality simply because it's more comfortable to believe the lie than the truth.
19
Double Indemnity
Year: 1944
Country: US
Director: Billy Wilder
Notable Actors: Fred MacMurray, Barbara Stanwick, Edward G. Robinson
Running Length: 107 minutes
Comments:
"I never knew that murder could smell like honeysuckle."
I never did either. But it can. Billy Wilder, with the help of MacMurray, Stanwick, and the inimitable Edward G. Robinson, makes it smell as sweet as anything you could possible imagine. Did I mention Raymond Chandler who adapted the screenplay? No? Well, I ought to have.
Double Indemnity plays as the noir film that all the other noir films are playing catch up to. The hero is a murderer. Cold blooded too. He murdered for money. And he murdered for a girl. And in his own words: "I killed him for money and for a woman. I didn't get the money. And I didn't get the woman." Beautiful.
20
The Spy Who Came in from the Cold
Year: 1965
Country: UK
Director: Martin Ritt
Notable Actors: Richard Burton, Claire Bloom, Oskar Werner
Running Length: 112 minutes
Comments:
Ritt’s adaptation of LeCarre’s brilliant spy novel stands as the preeminent espionage thriller for all time. Burton plays the dejected ex-operative as if he were simply playing himself (and who knows, he might have been). As in the real world of thieves and liars, there are no happy endings here and the bleakness of the film resembles the loss of heart in the ‘60s as much as it does the mortal despondency that has been part and parcel to the human existence ever since Adam took the fruit offered him by Eve. It was about time someone took note of that and both played it and then played it well (the ‘60s were full of these kinds of joy-absent yarns, but so few were any good; for an example of this, please see Five Easy Pieces—or better, don’t).
21
The Shawshank Redemption
Year: 1994
Country: US
Director: Frank Darabont
Notable Actors: Tim Robbins, Morgan Freeman
Running Length: 142 minutes
Comments:
Gorgeously filmed, this adaptation of a Stephen King film is a gripping wonder. You really can’t wait to see what’s gonna happy to poor put-upon Andy. At some times sorrowful and at other uplifting, Shawshank runs the gamut and ends on a note of encouragement. It probably would’ve been higher on my list but it’s about a half hour too long.
22
The Third Man
Year: 1949
Country: UK
Director: Carol Reed
Notable Actors: Orson Welles, Joseph Cotton
Running Length: 104 minutes
Comments:
Penned by Graham Greene specifically for the screen, The Third Man wallows in the nature of man. The time is postwar. The place is that bungled intersection of international enclaves in Vienna—where chaos reins and the seeds of the cold war grow in the warm muck. Pitting moral ambiguity against crusadership, Greene settles us in a comfortable place between the two: we are not entirely evil, but neither can we be entirely shiny. The filming owes much to Citizen Kane and we are treated to an enigmatic chase through the city’s sewers at the climax. Welles’s input into the film was minimal, though he did write his famous speech atop the big Ferris wheel: "In Italy for 30 years under the Borgias they had warfare, terror, murder, and bloodshed, but they produced Michelangelo, Leonardo da Vinci, and the Renaissance. In Switzerland they had brotherly love - they had 500 years of democracy and peace, and what did that produce? The cuckoo clock." Bravo.
23
El Espinazo del Diablo (The Devil’s Backbone)
Year: 2001
Country: US
Director: Guillermo del Toro
Notable Actors: Eduardo Noriega, Marisa Paredes, Frederico Luppi, Fernando Tielve, Irene Visedo
Running Length: 106 minutes
Comments:
The best of all ghost stories, del Toro’s film of an orphanage during 1930’s Spanish civil war exudes confidence, style, and heart. His flair for the visual is evident but never intrudes on the story he’s telling. Revelations unfold bit by bit and piece by piece until he has given a well-rounded and compassionate picture of the characters at the center of this drama. While certainly delving into the uncanny, The Devil’s Backbone never drifts into that realm of cheap scares and should be respected for it. The special effects are gorgeous in that they do not usurp the screen and overshadow the characters they augment. Amazing film.
24
Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb
Year: 1964
Country: US
Director: Stanley Kubrick
Notable Actors: Peter Sellars, George C. Scott, Sterling Hayden
Running Length: 93 minutes
Comments:
A riotous look at American sexuality and nuclear warfare, Dr. Strangelove should be remembered firstly for its brilliant satire, turning one of the country’s most feared happenstances (recall the events of the early ‘60s; or at least what you remember from Blast from the Past) into knee-slapping commentary. Also notable is Peter Sellers’s rendering of three distinct characters (including the titular) throughout (for another fine example of this sort of thing, please see the hilarious Kind Hearts and Coronets in which Alec Guiness plays, I believe, ten distinct characters). How Kubrick got this film past the censors is beyond me, but I’ll ever be glad he did.
25
Lord of the Flies
Year: 1963
Country: UK
Director: Peter Brook
Running Length: 92 minutes
Comments:
No other film so thoroughly, or properly, dismantles the urban legend of man’s basic goodness as does Peter Brook’s vision of William Golding’s disturbing novel. Charting with intrigue and horror the descent of man into his natural state of chaos and hatred, Lord of the Flies draws a chilling portrait of the human frame. Still more disturbing, the film uses societal cherubs to foment and encourage this human degradation; ever regarded as sweet and innocent, it is children we watch spiral into chaos. It is children who embrace depravity. It is children who become the hateful. It is children who embrace anarchy. It is children who become the murderers. And we observe them travel the path from civility to depravity with utter and horrifying believability. So visceral is the effect that years later, I still quake at the memory.
26
The Empire Strikes Back
Year: 1980
Country: US
Director: Irvin Kershner
Notable Actors: Mark Hamill, Harrison Ford, Carrie Fisher, Billy Dee Williams
Running Length: 124 minutes
Comments:
While its father started it all, Empire is where the goods are. Nearly every substantial piece of mythology in the series begins here. Quite a bit darker than its forerunner, Empire takes more time for the establishment of its characters beyond the mere heroic archetypes introduced in 1977. Luke’s training in Dagobah. Han and Leia inside that thing’s belly. The confrontation between Luke and Vader. The introduction of the duplicitous Lando Calrissian and Yoda the wise master he is. So many great bits find their screentime here in the second installment in the Star Wars trilogy!
27
To Kill a Mockingbird
Year: 1962
Country: US
Director: Robert Mulligan
Notable Actors: Gregory Peck, Robert Duvall
Running Length: 129 minutes
Comments:
From now on, every time I read Harper Lee’s book or even hear the name Atticus Finch, I will without doubt imagine Gregory Peck. His portrayal of the honest defense lawyer cannot be undone. He is honest. He is caring. He is wise. He is everything that others should want to be. I want to be him. Beyond this, To Kill a Mockingbird is just one of those great films. The kind that makes you smile contentedly. And the kind that makes you rage internally.
28
Pulp Fiction
Year: 1994
Country: US
Director: Quentin Tarantino
Notable Actors: John Travolta, Samuel L. Jackson, Bruce Willis, Ving Rhames, Uma Thurman
Running Length: 154 minutes
Comments:
If it weren’t for this film, probably half the bad films in the late ‘90s would never have been made. That’s how powerfully charming this violent and sexy piece of trash was. All of a sudden, directors couldn’t fit enough "hip" cultural references into their films. All of a sudden writers couldn’t squish enough verbal diarrhea into their screenplays. And while it was usually a far cry from quality in their films, Tarantino somehow made it work. Perhaps it was the roguish charm of his actors or the unbelievability of their circumstances or maybe just the fact that it still felt like something new, but whatever the case, it worked.
29
Star Wars
Year: 1977
Country: US
Director: George Lucas
Notable Actors: Mark Hamill, Harrison Ford, Carrie Fisher, Alec Guiness
Running Length: 121 minutes
Comments:
In 1977, a cinematic phenomenon changed the faces of movies for the rest of the century. For good or for ill, you can blame George Lucas for the endless parade of explosive blockbusters that threatens our theater chains every summer. But at least, for all its reliance on big explosions and special effects, Star Wars had heart. And moxie. Not everyone could imagine resurrecting the space opera and not everyone imagining the resurrection of the space opera could accomplish it so well as did Lucas. Boasting lovable characters and an exciting tale breathing life into a cultural mythos enjoyed since time immemorial, Star Wars not only resurrected the space opera, but breathed life into a then stale sci-fi genre.
And it galvanized a culture. My childhood would not have been the same without Star Wars. I’m not certain how much movie/toy merchandising went on before this point, but from the time I was five (a year after the film’s release) ‘til many years later, there were always Star Wars figures laying around. In fact, I still have a Chewbacca for some odd reason on a shelf in my house (and come to think of it, I have a Chewy on top of my computer at work as well).
And yes, Star Wars was the first film I had ever seen on the big screen. My mom took me to see it at Big Newport and I had to cover my ears during large sections of the final reel. But man! What an experience!
30
O Brother Where Art Thou
Year: 2000
Country: US
Director: Joel Coen
Notable Actors: George Clooney, John Turturro, Tim Blake Nelson, John Goodman
Running Length: 106 minutes
Comments:
If this is the face of musicals for the new millennium, then count me in and get me a heaping spoonful! The Coen Brothers’ artistic romp through the South via Homer’s Odyssey is funny, witty, and dang pretty to listen to. Some of the lines George Clooney utters are among the most humourous in cinematic history, but what really grabs me is the singin’. Backwater and folksy, the entire O Brother oeuvre demands concentrated listening. Which is why I bought the soundtrack (to a musical?!). And which is also why that soundtrack won for Best Album of the Year at the Grammies. Oh yeah, and the filming is real neat too.
31
High Fidelity
Year: 2000
Country: US
Director: Stephen Frears
Notable Actors: John Cusak, Jack Black, Joan Cusack, Tim Robbins, Catherine Zeta Jones
Running Length: 113 minutes
Comments:
Though he is loathe to admit it, every man can relate to Rob Gordon. Not only does he do terrible things birthed from his everyday mania, but his thought-life makes his actions seem pleasant in the comparison. High Fidelity chronicles the progression of one man as he comes to grips with the fact that he is a selfish, needy misfit who has been subconsciously sabotaging his own life for years, unable to truly love or be loved. Conquered by everyday, mortal fears of commitment, Rob exemplifies the contemporary male in a manner both humourous and disturbing—and at all times honest.
At first blush, Rob’s character (actually, his lack of character) makes him despicable. Until one realizes that he and Rob are not so different after all. Every tragedy of conscience in which Rob indulges hit far too close to home to be ignored. And as the viewer watches Rob perform self-therapy and come out a man with hope and a future, he cannot help but analyze his own life to clear away some of the cobwebs of human lunacy. In all ways that matter, High Fidelity is intensely human and humane—and will resonate with me for the rest of my life.
Comments:
In spite of being betrayed by the film industry on all sides, Welles was still able to make the odd film here and there (and have it edited to shreds by production companies). Several years ago some notes came to light and Touch of Evil was re-edited into a form that resembles as closely as possible what is imagined to be Welles’s original intent for the film. And you know what? Who cares if it does! It’s a great film regardless. And Charlton Heston plays a Mexican cop (you can’t get any more realistic than that!).
33
Edward Scissorhands
Year: 1990
Country: US
Director: Tim Burton
Notable Actors: Johnny Depp, Wynonna Ryder, Vincent Price (voice-over)
Running Length: 100 minutes
Comments:
Unlike the average entry into the Burton oeuvre, this tale of a Frankenstein’s creature with heart to spare actually shares its title character’s heart. Filling its viewer with wonder and excitement, Edward Scissorhands paces through the tragic life experienced by anyone who has ever felt lonely and removed from the center of society’s adoration. Likely all men feel as Edward—as if his scissors were somehow metaphorical for the human inability to reach out as we wish. No, perhaps not our inability, but rather those tools of wonder and fear represent that thing which prohibits us from reaching out—that one thing, unique to all of us, that makes us feel as if we were misfits, unloved and unlovable. Even as Edward derives a certain pleasure from simply knowing that he is loved, so too does every man. How often and easily do we forget that though we may be different, there is always someone who will love us. Burton’s touching faery tale serves well as a reminder of what is important to life.
34
The Empire of the Sun
Year: 1987
Country: US
Director: Steven Spielberg
Notable Actors: Christian Bale, John Malkovich, Miranda Richardson, Joe Pantoliano
Running Length: 154 minutes
Comments:
The first of Spielberg’s trilogy of WWII films, Empire may be his most whimsical. The tale of a boy lost and left behind to fend for himself in the wake of the Japanese occupation of Shanghai the day after Pearl Harbor. Moving and thrilling the passage of the boy into maturation is a privileged glimpse into the conflict of innocence and worldliness.
35
Requiem for a Dream
Year: 2000
Country: US
Director: Darren Aronofsky
Notable Actors: Ellen Burstyn, Jared Leto, Jennifer Connelly, Marlon Wayans
Running Length: 102 minutes
Comments:
Charting the path of four individuals as they each find their way into the horrors of drug abuse, Requiem always hovers in surreality as it follows into darkness and terror. While some of the characters dabble in mainstream drugs like heroin, the most horrifying experience is witnessed through the life of Ellen Burstyn’s character, who in preparing for an appearance on her favorite gameshow, gets hooked on diet pills. The film as a whole is disturbing, but her end is particularly jarring.
36
Say Anything
Year: 1989
Country: US
Director: Cameron Crowe
Notable Actors: John Cusack, Ione Skye, Joan Cusack, John Mahoney, Lili Taylor
Running Length: 100 minutes
Comments:
If High Fidelity portrays every man as he is, then Say Anything portrays every man as he wants to be. Lloyd Dobler is sweet, funny, genuine, and has one goal in life. To spend as much time as possible with Diane Court. He’s in well over his head and that suits him and us just fine (as he is a pleasure to watch as he woos and wins the girl of his dreams).
Comments:
Following a thread of films I seem to like, Open Your Eyes (later remade into the damnable Vanilla Sky) deals with a man unsure of himself and unsure of what is real. César is used to living life on his terms, but suddenly he finds himself in prison for the murder of the woman he truly loves. As what is and what is not slowly unravels, we begin to piece together the truth even as César does. And it’s an interesting and worthwhile trip.
38
It’s a Wonderful Life
Year: 1946
Country: US
Director: Frank Capra
Notable Actors: James Stewart, Donna Reed, Lionel Barrymore
Running Length: 130 minutes
Comments:
Perhaps one of the best beloved Christmas movies of all time, Capra’s classic is not even really so much a Christmas film as it is a film dedicated to the question of the worth of a human life. And in answering that question, we are all encouraged and can’t help but hope for our own lives.
39
Monty Python and the Holy Grail
Year: 1975
Country: UK
Director: Terry Gilliam, Terry Jones
Notable Actors: Graham Chapman, John Cleese, Eric Idle, Terry Gilliam, Terry Jones, Michael Palin
Running Length: 91 minutes
Comments:
Honestly, this is the funniest film of all time. The laughs-to-minutes ratio defeats all other comers by miles. There are so many humourous moments or laugh-out-loud lines that I couldn’t begin to quote them all to you (we’ll leave that to some of you—who I know for certain will wish to begin immediately). This is Python at its height. In fact, the film is so funny that if I want to laugh at every joke, I have to break the film into two viewings because, quite simply, I run out of laughs.
Comments:
Romantic and wonderful, Jeunet’s film of fantasy and love skips and leaps with childlike energy. Strangely dark, Amélie never seems it and in spite of the moral ambiguity about her, Amélie seems ever-resistant to the cynicism and cruelty of real life, preferring instead to live in her imagination. And as she lives in her imagination, for the space of two hours, we live in Jeunet’s. I can’t wait to see what he does next!
41
The Lord of the Rings
Year: 2001-2003
Country: US
Director: Peter Jackson
Notable Actors: Elijah Wood, Ian McKellen, Viggo Mortensen, Sean Astin, John Rhys-Davies, Orlando Bloom
Running Length: ten hours?
Comments: Which chapter of the trilogy am I referring to? Why none at all. You may already know, but for the present, I’m regarding all three installments as one very long film (not unlike Kieslowski’s Decalogue) as none of the three could stand on its own merits. But as a package, this may turn out to be one of the greatest cinematic experiences of all time. Waitaminnut! May? Well, because the final portion of the film has yet to be seen, I’m a little trepidacious about its position on my list. If the final bit rocks my booty as much as I hope, the trilogy could rocket up into the top twenty or so. Otherwise….
42
Sen to Chihiro no Kamikakushi (Spirited Away)
Year: 2001
Country: Japan
Director: Hayao Miyazaki
Running Length: 124 minutes
Comments:
Miyazaki’s sense of wonder and imagination has not been diminished by age (the director/animator was born in 1941 eleven month’s before that bygone day of infamy); if anything, it has been honed and cultivated. A manic adventure into the realm fantastic, Sen to Chihiro no kamikakushi (its Japanese title) quickly develops into a throbbing, pulsating Alice in Wonderland. Only hopped-up on meth. And with good art.
Scratch that. Great art.
While the American animated form languishes in bland simplicity and uninspired characters, Miyazaki’s pen and brush breathe out full-formed inhabitants of lush and colourful worlds. So adept is Miyazaki’s hand here, the viewer stops worrying that he is watching a cartoon and is drawn without reserve into this incredible world of gods, bath houses, magic, love, and little lost girls.
43
The Adventures of Baron Munchausen
Year: 1988
Country: UK
Director: Terry Gilliam
Notable Actors: John Neville, Eric Idle, Sarah Polley, Oliver Reed, Jonathan Pryce, Uma Thurman
Running Length: 125 minutes
Comments:
The dawning of the Age of Reason. Wednesday. Such is the beginning of a cataclysmic battle between reason and rationality on the one side and fantasy and wonder on the other. As society plunges headlong into technology and industry, it seems that whimsy and awe and imagination and fantasy are relics from a past never to return. But not if the illustrious and indefatigable Baron Munchausen has anything to say about it. This last of Gilliam’s fantasy extravaganzas should not be missed. Every jot and tittle of its screwball glory should be taken in and enjoyed.
44
The Graduate
Year: 1967
Country: US
Director: Mike Niccols
Notable Actors: Dustin Hoffman, Anne Bancroft, Katherine Ross
Running Length: 105 minutes
Comments:
Engorged on self-pity, self-doubt, self-loathing, and self-adoration, The Graduate portrays characters of entirely selfish motives. These people are alienated by the world around them and disenchanted by the promise of the future. Niccols works his craft well and through humour presents a portrait of a people disenchanted with the wider world around them (assassinations, Vietnam, the Cold War).
45
C'era una Volta il West (Once Upon a Time in the West)
Year: 1968
Country: Italy/US
Director: Sergio Leone
Notable Actors: Henry Fonda, Charles Bronson, Jason Robards, Claudia Cardinale
Running Length: 165 minutes
Comments:
Though The Good, the Bad and the Ugly is his most accessible film, Leone’s Once Upon a Time in the West is his most accomplished. Lazily meandering through beautiful shot after beautiful shot, Leone takes his time in offering a small story on a grand scale. The opening scene alone qualifies this film for my list, but there is really so much more. The music by Ennio Morricone is inescapable and its themes wax and wane appropriately throughout. Henry Fonda is chilling as a villain and Bronson is surprisingly reserved. Robards, however, chews scenery so well that he comes off as the star of the film even though his part is secondary. Altogether beautiful.
46
Die Hard
Year: 1988
Country: US
Director: John McTiernan
Notable Actors: Bruce Willis, Alan Rickman
Running Length: 131 minutes
Comments:
Quite simply the best action film ever. Bar none. John McClane is the action hero of all time. Smart, funny, and tough, he never seems invincible and he never seems cheesy. When looking for bang for one’s buck, one can’t do any better than this.
47
Der Krieger und die Kaiserin (The Princess and the Warrior)
Year: 2001
Country: Germany
Director: Tom Tykwer
Notable Actors: Franka Potente, Benno Fürmann
Running Length: 135 minutes
Comments:
Compared to his breakout hit, Run Lola Run, Tykwer has reined in considerably. Here, he proceeds not without excitement, but certainly at a more leisurely pace, enjoying the unfolding faery tale to greater degree than was possible in Lola. Paced and thoughtful, The Princess and the Warrior spurs one’s mental faculties while sating his thrist for visual beauty.
Comments:
Toshirô Mifune’s final collaboration is a fantastic drama about doctors in a free clinic in the late period of the Shogunate. Mifune plays an aging master doctor who takes on a younger apprentice. The film not only showcases Mifune’s established and well-honed style, but gives Kurosawa and opportunity to unlabour his personal views upon the viewer without the viewer minding. My only sadness is that this was the last venture between two masters of the cinema that were so evidently compatible.
49
Lock, Stock and Two Smoking Barrels
Year: 1998
Country: UK
Director: Guy Ritchie
Notable Actors: Jason Stratham, Nick Moran, Jason Flemyng, Dexter Fletcher, Vinnie Jones, P.H. Moriarty
Running Length: 105 minutes
Comments:
With style to spare, Ritchie introduces us to his brand of crime story—and my, what a ride! His characters, when not being the funniest people alive, are bungling into more mischief than you can shake a stick at. And not bungling in a Keystone Cops kinda way either. Well, okay. Maybe a little. But this is still an amazing film regardless.
50
Waking Life
Year: 2001
Country: US
Director: Richard Linklater
Notable Actors: Wiley Wiggins, Ethan Hawke, Julie Delphy
Running Length: 99 minutes
Comments:
An intriguing barrage of ideologies and animation, Waking Life never lets up with the talk and so you’re never quite sure where the story begins or where it’s going or where it went. Just like a dream. Words really can’t express the depth of my fascination here, but check it out for yourselves, I guarantee at the very least, interest.
51
Gettysburg
Year: 1993
Country: US
Director: Ronald F. Maxwell
Notable Actors: Martin Sheen, Tom Berenger, Jeff Daniels
Running Length: 261 minutes
Comments:
By far the most moving portrait of that most tragic of American wars, Gettysburg adapts Michael Shaara’s The Killer Angels and gives an accurate taste of the hell and heroism of the Civil War battlefield. And unlike war movies are so apt to do, Gettysburg makes no side the villain. All are caught up in a war the neither side wants. Daniels is enigmatic as Colonel Chamberlain and Sheen is positively regal as General Lee. There is no better cinematic treatment of the subject.
Comments:
Adapted from two short stories by Ryunosuke Akutagawa, Kurosawa builds an intriguing look at the seeming fluid nature of truth and the corruptible nature of man. Showing through four perspectives the rape of a woman, the death of her husband, and the theft of a small sword, Rashomon tries to discover the truth and almost seems to give up. And all seem to contradict. Some have criticized the film for the fact that Kurosawa, unable to face the nightmare of relativity that his film has propounded, adds a ray of hope in the final scene, demonstrating his belief that in spite of the way things seem, heroic compassion can change the world (or perhaps even save it). Personally, I find this a more intriguing dilemma than the easy fatalism of the short stories. Instead of being handed a simple idea, the viewer is given two and told to judge between them. I think Kurosawa’s choice speaks volumes more about the heart of mankind than would a film that simply echoed Akutagawa.
53
Mimi wo Sumaseba (Whisper of the Heart)
Year: 1995
Country: US
Director: Yoshifumi Kondo
Running Length: 111 minutes
Comments:
Absolutely endearing, Kondo instills a bounty of life into a simple story of a young lady who begins looking for purpose for her existence—almost without realizing it. Shizuku is in her last year of junior high and struggling to see the necessity of her studies; she’d rather spend her life reading diversionary fictions. But fate has conspired against such an immobile life and little coincidences draw her further and further into a realm of wonder and delight. Just when she’s thought she’s lost hope of innocence, she’s found it again. And the discovery is sweet to see unfold.
54
Out of Sight
Year: 1998
Country: US
Director: Steven Soderbergh
Notable Actors: George Clooney, Jennifer Lopez, Ving Rhames, Steve Zahn
Running Length: 123 minutes
Comments:
With a stunning use of editing and flashbacks, this crime-adventure-romance is enough to thrill even the most cynical of moviegoers. Clooney and Lopez share chemistry like no other onscreen couple I have ever seen. The heat generated between them is almost tangible. This is bar none the best adaptation of anything by crime novelist Elmore Leonard.
55
Pleasantville
Year: 1998
Country: US
Director: Gary Ross
Notable Actors: Toby MacGuire, Reese Witherspoon, William H. Macy, Joan Allen
Running Length: 124 minutes
Comments:
Gary Ross’s effects-laden masterpiece is a wonderful film designed to awaken the viewer’s thought processes and does so with panache. Boasting both technical extravaganza and an intelligent, thoughtful screenplay, Pleasantville accomplishes what many films seek, but fail miserably to accomplish—it wows your senses in order to stimulate your mind.
56
Se7en
Year: 1995
Country: US
Director: David Fincher
Notable Actors: Brad Pitt, Morgan Freeman, Gwynneth Paltrow, Kevin Spacey
Running Length: 127 minutes
Comments:
This may well be the most viscerally horrifying film I have yet to see. While definitely losing something in its translation to the home screen, Se7en is grisly and daring. It preaches the recognition of sins, but does so mercilessly. Not a single person spoke as I exited the theater. My vision was blurred from tears my entire drive home. As crime thrillers go, they don’t get much more well-made than this. But I’m not certain how soon I want to see it again.
57
The Secret Adventures of Tom Thumb
Year: 1993
Country: UK
Director: Dave Borthwick
Running Length: 60 minutes
Comments:
Tragic. Strange. Funny. Queer. This is a story of innocence in a fearful, greedy, and cynical world. The Secret Adventures of Tom Thumb is a piece of maniacal, live-action/stop-film strangeness that even the most stable-minded individual would find slightly troubling. Addressing questions of genetic engineering, the fear of that which is "other," familial relations, death and sacrifice, and going to bed with women who look suspiciously manlike, Tom Thumb grabs ahold of your imagination and makes you think and pay attention—otherwise, you'll be lost. Oh yeah, and it's a must-see if for no better reason than to see Santa on a crucifix.
58
Detour
Year: 1995
Country: US
Director: Edgar G. Ulmer
Notable Actors: Tom Neal, Ann Savage
Running Length: 67 minutes
Comments:
In 1945, Edgar G. Ulmer directed a sixty-seven minute masterpiece of fear and hitch-hiking. This was no horror film, but the tale of a femme fatale in all her masochistic glory. A poor sap played by Tom Neal gets mixed up in a death that could get pinned on him though he was innocent of wrongdoing. Enter Ann Savage as the cruelest woman on the planet (meaning she’s tied for the lead with all the rest of ‘em) and the game is afoot. Neal, speaking about the way things work can give you a pretty good idea of the taut film’s direction: "That's life. Whichever way you turn, Fate sticks out a foot to trip you." Bro-ther.
59
Hotaro no Haka (Grave of the Fireflies)
Year: 1988
Country: Japan
Director: Isao Takahata
Running Length: 93 minutes
Comments:
Lest it be believed that Studio Ghibli (the studio behind Princess Mononoke, Spirited Away, Whisper of the Heart, and My Neighbor Totoro) only creates light-hearted fare, allow this film set in Japan circa WWII to disabuse you of that notion. Most films that touch on the tragedy of war deal either with its dastardly effects on soldiers (e.g., Saving Private Ryan and Platoon) or the effects of its direct actions on the general populace (e.g., Schindler’s List), but rarely do we see its effect on the poor children who are orphaned in battle’s wake. Grave of the Fireflies is such a story. And as happy as I would have been to have never seen it, I am assuredly better for it.
60
Eat Drink Man Woman
Year: 1994
Country: Taiwan
Director: Ang Lee
Notable Actors: Sihung Lung, Yu-Wen Wang, Chien-Lien Wu, Kuei-Mei Yang
Running Length: 123 minutes
Comments:
A presentation of family and life that is too endearing to miss. Ang Lee had long crafted real and heartfelt drama (e.g., Ice Storm and Sense and Sensibility) before becoming well-known for Crouching Tiger Hidden Dragon. And oh the food. *licks lips* Lakeside, here I come!
61
Mr. Smith Goes to Washington
Year: 1939
Country: US
Director: Frank Capra
Notable Actors: James Stewart, Claude Rains
Running Length: 125 minutes
Comments:
Every bit a poignant today as it was in 1939, Capra’s ode to political idealism makes even the crusty old cynic in me want to hope. I suppose this should be categorized more under fantasy-adventure than under political drama, but James Stewart inspires belief at every turn.
62
p
Year: 1998
Country: US
Director: Darren Aronofsky
Notable Actors: Sean Gullette, Ben Shenkman
Running Length: 84 minutes
Comments:
Intriguing story plus intriguing character plus intriguing filmwork equals coolness. While I still can’t explain exactly everything that occurred in the film, I can say I liked it. I can say that.
63
L.A. Confidential
Year: 1997
Country: US
Director: Curtis Hanson
Notable Actors: Kevin Spacey, Guy Pearce, Russell Crowe, Kim Basinger, James Cromwell
Running Length: 138 minutes
Comments:
All hail the return of noir cinema! Hail! Hail! Hail!
Seriously, L.A. Confidential packs a wallop and takes no prisoners and leaves not a soul untarnished. This is the dirty world of the Los Angeles police force circa fedoras and long coats. And boy, what a ride! This is the film that introduced most people to the thespian whizbangs, Russell Crowe (of Gladiator and A Beautiful Mind) and Guy Pearce (of Memento). This is a very tight piece of cinema and there is no way that it could not have even been nominated for Best Picture in its year. Although I will admit that Kim Basinger did NOTHING to deserve an Oscar win for her performance.
64
Fear and Loathing in Las Vegas
Year: 1998
Country: US
Director: Terry Gilliam
Notable Actors: Johnny Depp, Benicio Del Toro
Running Length: 118 minutes
Comments:
"We were somewhere near Barstow—on the edge of the desert—when the drugs began to take hold."
Hilarious and disgusting, this adaptation of Hunter S. Thompson’s autobiographical journey through drug induced fantasia begins lightly and descends ever deeper into the pit of despair that Gilliam identifies as the American dream. Expanding beyond Thompson’s book, Gilliam adds his own thoughts and perspectives to the story of two stoners running amuck in the City of Sin.
At times, the film even becomes almost mournful of the state of things. "We were riding the crest of a high and beautiful wave. So now, less than five years later, you can go up on a steep hill in Las Vegas and look West, and with the right kind of eyes you can almost see the high-water mark—the place where the wave finally broke and rolled back." And really, this is just the way we likes it.
65
Raiders of the Lost Ark
Year: 1981
Country: US
Director: Steven Spielberg
Notable Actors: Harrison Ford, Karen Allen, John Rhys-Davies
Running Length: 115 minutes
Comments:
In 1977 George Lucas resurrected the space opera. Four years later, he and Steven Spielberg worked together to breathe life into another relic of a bygone era: the Saturday-matinee, cliffhanging adventurer. The character of Indiana Jones solidified Harrison Ford as a household name and became the thrill ride that parents and children would return to over and again. And you know what? Twentysome years later, Raiders has lost none of its steam. It’s music is legendary and still, every time someone mentions Noah’s ark, I think of all these poor animals getting their faces melted off by the glory of God. The end.
66
The Big Sleep
Year: 1946
Country: US
Director: Howard Hawks
Notable Actors: Humphrey Bogart, Lauren Bacall, Dorothy Malone
Running Length: 116 minutes
Comments:
This is Bogart at his slickest. While we admired his resolve at the end of Casablanca, here we can only admire his wit; for his character is certainly not something to be emulated. The Big Sleep is probably the most accessible of Raymond Chandler’s books-become-film. And for most people, Humphrey Bogart is the famous shamus, Phillip Marlowe (though near ten others have played the dick). And really, it’s not hard to see why. He absolutely oozes that same sarcastic and cynical charm. Yummy. But Bogart isn’t the only reason to love The Big Sleep. Her name is Lauren Bacall and she makes Natalie Portman or Claire Forlani look like Bull from "Night Court." She smolders on the screen and you wonder how Bogart could stand it (then you remember he married her—good job tough guy).
67
The Usual Suspects
Year: 1995
Country: US
Director: Bryan Singer
Notable Actors: Gabriel Byrne, Kevin Spacey, Stephen Baldwin, Benicio Del Toro, Kevin Pollack, Chaz Palminteri
Running Length: 106 minutes
Comments:
Who is Kaiser Sozé? Mastermind of criminal schemes from here to there and back again, they say he’s a ghost. He’s not. He is very real for the characters of The Usual Suspects and until the film’s final moments, Singer keeps one guessing and guessing, never suspecting the truth. This is a fantastic crime piece! And it just doesn’t get any tastier.
68
The Nightmare Before Christmas
Year: 1993
Country: US
Director: Tim Burton
Composer: Danny Elfman
Running Length: 76 minutes
Comments:
A year and a half after I graduated from high school, Tim Burton released the most satisfying Christmas musical ever unearthed. Combining the festivities of Christmas with the festivities of my favorite holiday, he created—in typical Burton fashion—a stop-motion animated film with all the rugged charm of Sinatra and Martin combined. Jack Skellington, the Pumpkin King, rose out of imagination and came to life turning white into fright and generally scaring up a real good time. And not only is it Christmas ghouls who do the haunting, but Elfman’s score and musical numbers are quite catchy. Plain simple holiday fun!
69
When Harry Met Sally
Year: 1989
Country: US
Director: Rob Reiner
Notable Actors: Billy Crystal, Meg Ryan, Carrie Fisher
Running Length: 96 minutes
Comments:
The preeminent romantic comedy, Reiner’s exploration of men and women and the friendship they can’t possibly share is simply wonderful. With the least amount of cheese and the greatest degree of honest heart, When Harry Met Sally is that to which all other romance-comedies aspire, yet fail. It also boasts the conceit of being actual proof that Billy Crystal can not be annoying if properly directed.
70
The Last of the Mohicans
Year: 1992
Country: US
Director: Michael Mann
Notable Actors: Daniel Day-Lewis, Madeleine Stowe, Wes Studi
Running Length: 122 minutes
Comments:
He may be most widely known for directing Crockett and Tubbs on "Miami Vice," but Mann directs a mean film in spite of that tragedy. Adapting James Fenimore Cooper’s intriguing-but-longish adventure yarn to the screen (its sixth big screen adaptation—not to count several made for television incarnations), Mann pares the tale down to its meat: an adventure/romance.
And he does so extremely well. Last of the Mohicans is one of the most exciting adventure rides one could ever hope to take courtesy of the cinema. The scenery is awe-striking and the soundtrack pulls at that sense of everything that is beyond our finite existence. The camerawork is delicate and in an age before MTV-style chop-cutting, the scenes of battle are jaw-dropping.
71
The Matrix
Year: 1999
Country: US
Director: The Wachowski Bros.
Notable Actors: Keanu Reeves, Lawrence Fishburne, Carrie Anne Moss, Hugo Weaving, Joey Pantoliano
Running Length: 136 minutes
Comments:
Not only did the Wachowski Brothers return blockbuster science fiction to its more intellectual routes by using their film to pose questions about life and perception, but they made a pretty stylish action film as well. After seeing The Matrix for the first time, all my movie-going companion and I could say do was offer a Keanu-esque "Woah." With incredible cinematography, pioneering FX, and a storyline that makes one sit up and think, The Matrix certainly stands above your everyday sci-fi, post-apocalyptic, kung fu fiesta.
72
Tianguo Niezi (The Day the Sun Turned Cold)
Year: 1994
Country: Hong Kong
Director: Ho Yim
Notable Actors: Chung-Hwa Tao, Gaowa Siqin
Running Length: 99 minutes
Comments:
Faced with a cold decision, young Guan Jian at last reports a murder ten years past. Chilling landscapes mirror the frigid reality of his tale. In all ways a good film. I love foreign noir.
73
Saving Private Ryan
Year: 1998
Country: US
Director: Steven Spielberg
Notable Actors: Tom Hanks, Matt Damon, Ed Burns, Tom Sizemore
Running Length: 170 minutes
Comments:
The first thirty minutes are really what people will forever remember about Spielberg’s most audacious anti-war film—being that it stands likely as the most horrifying example of what the invasion of Normandy must have been like. The rest of the film, however, is just as solid and often plays eerie counterpoint to the frantic dismemberment of humanity on that fey shoreline. Spielberg offers us a taste of battles terror sans the typical Hollywood glamour and hopes that we won’t glory in destruction. And for the space of three hours, we don’t.
74
Dut Yeung Nin Wa (In the Mood for Love)
Year: 2000
Country: France/Hong Kong
Director: Wong Kar-Wai
Notable Actors: Maggie Cheung, Tony Leung
Running Length: 98 minutes
Comments:
Entirely sumptuous! Wong Kar-Wai has an incredible talent for developing mood through sight and sound—and using that above and beyond exposition to tell his story of star-crossed lovers. More profoundly at odds than ever Romeo and Juliet were, Mrs. Chan and Mr. Chow seem destined to remain apart and it is pure, unadulterated joy to watch their audio-visual destiny play itself out. The soundtrack (and especially the main theme) are haunting and serve to draw the viewer into the film’s easy pace.
75
Rosencrantz and Guildenstern Are Dead
Year: 1990
Country: UK/US
Director: Tom Stoppard
Notable Actors: Gary Oldman, Tim Roth, Richard Dreyfuss
Running Length: 117 minutes
Comments:
Altogether witty and thoughtful, Stoppard’s play off Hamlet is fodder for much more intriguing discussion than ever the Bard’s tale of Danish royalty could have been. He explores questions of destiny, predestiny, and the freedom of the will with such ease and eloquence that the average viewer will never recognize that he has all the while been wrestling with one of the greatest issues to plague the human mind over the ages.
76
Reservoir Dogs
Year: 1992
Country: US
Director: Quentin Tarantino
Notable Actors: Harvey Keitel, Steve Buscemi, Tim Roth, Michael Madsen
Running Length: 99 minutes
Comments:
Though Pulp Fiction really broke the water on bringing back talky drama, Resevoir Dogs was Tarantino’s first of the kind. Funny, violent, and culturally astute (to the ‘70s), this caper-gone-awry not only salutes a genre gone by but provided fuel for a whole new generation of bloody crime films.
77
Invasion of the Body Snatchers
Year: 1956
Country: US
Director: Don Siegel
Notable Actors: Kevin McCarthy, Dana Wynter
Running Length: 80 minutes
Comments:
Incredibly enough, and despite the odds, this hold out from the Cold War is oftimes honestly thrilling and even frightening. When Kevin McCarthy runs up the highway yelling at the unsuspecting, you realize the horror of the situation as all will believe him a lunatic in spite of the truth on his lips. The meaning behind Siegel’s film is debated time and again (some supposing an anti-communist message, while others prefer to believe it refers to anti-consumerism), but whatever the case, it certainly offers food for thought.
78
Tengoku to Jigoku (High and Low
Year: 1963
Country: Japan
Director: Akira Kurosawa
Notable Actors: Toshiro Mifune, Tatsuyo Nakadai
Running Length: 143 minutes
Comments:
Delving into nourish pessimism, Kurosawa’s Tengoku to Jigoku (better translated as Heaven and Hell) develops two stories over its two-and-a-half hours: the first a tense focus on the kidnapping of a presumably wealthy shoe manufacturer, while the second half delves into the underbelly of society in which the kidnapper dwells. Heaven and hell bleed into each other and we come to find that there is not so much separating the two.
Also, an unexpected use of effects partway through gives us an idea where Spielberg may have been influenced for one of his most famous bits.
79
Beauty and the Beast
Year: 1991
Country: US
Director: Gary Trousdale and Kirk Wise
Running Length: 84 minutes
Comments:
The second of Disney’s new crop of animated films (begun with the introduction of The Little Mermaid), Beauty and the Beast stands as Disney’s finest achievement to date. After years of under-developed characters who fall madly in love upon first glance, at last they introduce two well-hewn characters of better than standard mettle. Belle is thoughtful, pretty, eloquent, and caring while the beast is troubled, hunted, and given to fits of uncontrollable rage. That they could believably fall into the arms of a true and abiding love is a testament to both the writers and animators. The songs are lively and actually contribute to the film as a whole.
80
Mother Night
Year: 1996
Country: US
Director: Keith Gordon
Notable Actors: Nick Nolte
Running Length: 114 minutes
Comments:
This amazing tale of WWII intrigue and more importantly, its aftermath, is what turned me onto the writing of whom I now consider one of the best American authors of all time, Kurt Vonnegut. After all, the film is based on his book of the same name. A moral dilemma of astounding proportions, Mother Night aptly warns, "Be careful who you pretend to be, because in the end, you are who you pretend to be." Well directed and well acted, Gordon’s film stands as second only to The Spy Who Came in from the Cold in the land of espionage-cinema and takes on a human depth unthought-of by the larger budget spy-fantasies that endlessly portray the espionade as a creature of glamour and adventure. Gordon drives home the bleaker aspect of Howard W. Campbell, Jr.’s life as he writes his memoirs from prison in Jerusalem; all flashbacks are in colour while the present is filmed in a stark black and white, illustrating that the character is already dead (despite the fact that he moves and eats and breathes as would a live person).
81
Aliens
Year: 1995
Country: US
Director: James Cameron
Notable Actors: Sigourney Weaver, Michael Biehn, Bill Paxton, Lance Henrikson
Running Length: 154 minutes
Comments:
This is really the only pure sequel that comes to mind that is fully self-contained and easily surpasses the strength of its predecessor. Cameron takes a mildly frightening sci-fi horror film and injects it with amphetamines to the point that it becomes one of the premiere action films of all time. Terrific explosions, nervous sweat, raw tension, and a light helping of corporate-political intrigue and Marine Corps über-pride to feed as exposition work to make Aliens one of the most exciting cinematic rides imaginable.
82
Wo De Fu Qin Mu Qin (The Road Home)
Year: 1999
Country: China
Director: Yimou Zhang
Notable Actors: Ziyi Zhang
Running Length: 89 minutes
Comments:
If it were not for the incredible American reception of Ang Lee’s Crouching Tiger, Hidden Dragon and the subsequent stardom of the young and ethereal Ziyi Zhang, The Road Home would not likely have ever gotten theater time on these coasts. And quite frankly, that would have been tragic. At all times sentimental and sweet, director Yimou Zhang’s tale of lasting love grips one’s heart without ever seeming manipulative. It is subtle and altogether real as it unfolds the tale of romance as you would like romance to be. And of course Ziyi Zhang is adorable even when she’s not tearing up opponents with the Green Destiny.
83
Léon: The Professional
Year: 1994
Country: UK
Director: Luc Besson
Notable Actors: Jean Reno, Natalie Portman, Gary Oldman
Running Length: 136 minutes
Comments:
Horribly butchered in its original American release (presumably for fear of stateside reactions to the rather one-sided romantic involvement between a twelve-year-old girl and a grown man), Besson’s masterpiece finally received its just desserts a few years ago when the international cut was released on dvd. What was already a pretty cool action film evolved into something much more touching and heartfelt. The relationship between Matilda and Léon is certainly chaste (despite Matilda’s occasionally belligerent infatuation), but more, it is deep. This is Portman’s first film. And this is why she is a big deal today.
84
Jing Ke Ci Qin Wang (The Emperor and the Assassin)
Year: 1999
Country: France/Japan/China
Director: Kaige Chen
Notable Actors: Li Gong, Fengyi Zhang
Running Length: 163 minutes
Comments:
A gorgeous historical epic in the tradition of Shakespeare, The Emperor and the Assassin provides the kind of unpredictable grandeur from which more Hollywood films could take a cue. Hero and villain are blended and both are entirely human, behaving with a regal honour and with animal savagery. Truly and awe-inspiring film.
85
Stalag 17
Year: 1953
Country: US
Director: Billy Wilder
Notable Actors: William Holden, Otto Preminger
Running Length: 120 minutes
Comments:
While The Great Escape is better known (presumably for Steve McQueen’s motorcycle escape and its popular whistled theme), Stalag 17 presents a similar scenario to better effect. Directed by Double Indemnity’s Billy Wilder, the WWII tale of P.O.W.’s from the European front is tight and entertaining. Due to good narration, acting, and direction, the audience feels nervous when it should, laughs when it should, and cheers when it should.
86
The Hamster Factor & Other Tales of the 12 Monkeys
Year: 1996
Country: US
Director: Keith Fulton, Louis Pepe
Narrator: Keith Fulton
Running Length: 88 minutes
Comments:
Terry Gilliam is one of the most amazing directors alive today and his films are nearly all astounding in their own right. The Hamster Factor details his creative process from start to finish as he endeavors to complete 12 Monkeys, his time-traveling, science fiction mind-blower. The documentary is fascinating from beginning to end as it unravels his film-making obsession and mania for details. At one point Gilliam breaks down and is filming but has forgotten why and doesn’t see the big picture anymore—it stands as a frightening testimony against those with immerse themselves too deeply into their art.
87
The Importance of Being Earnest
Year: 1952
Country: UK
Director: Anthony Asquith
Notable Actors: Michael Redgrave
Running Length: 95 minutes
Comments:
After reading Oscar Wilde’s famous play in high school, I sought after vainly to purchase the 1952 adaptation of the riotous work. But to know avail. Not only was video production on moratorium, but there was only one available copy to rent in my area. I watched the beaten and battered old cassette with relish—and was well-rewarded. Asquith’s production of Wilde’s play is the definitive cinematic version. It cannot be surpassed. That a modern production with Rupert Everett was released is a sham. I have not seen it and do not need to for nothing can be added to Asquith’s version.
Oh. And I just added the recently released Criterion version to my bookshelf for Christmas (thanks Donut Girl).
Comments:
Kurosawa is obviously a favourite of mine. He crafts stories and characters and scenes with a master’s touch. It really is no wonder that so many great American directors have sought to emulate his work (Lucas, Spielberg, Coppola, et cetera). Even Yojimbo has been remade twice (as Sergio Leone’s A Fistful of Dollars and as the Bruce Willis vehicle Last Man Standing). On top of Kurosawa’s auteur’s touch, Toshirô Mifune excels in playing up the loveable rogue and his portrayal of the titular character here (yojimbo means bodyguard) is without flaw.
89
Iron Giant
Year: 1999
Country: US
Director: Brad Bird
Voice Talents: Jennifer Aniston, Vin Diesel, Harry Connick Jr.
Running Length: 86 minutes
Comments:
While I realize that this is the fifth animated film on this list, the fact is, these movies are really that good. Really, I think it is tragic that I would even feel the need to apologize or make note of the presence animation in a serious list of films, but that’s the fallen world we live in!
Not only is the Iron Giant one of the hippest cinematic automatons, but in spite of the hackneyed story element of a robot with a heart of gold, the big metal galoof pulls it off so well that I have yet to meet someone who didn’t get moisty-eyed in the film’s climax. Truly a touching film—with an art style that is both retro-hip and fresh all together. Definitely that elusive creature known as a film the whole family can enjoy.
90
Charade
Year: 1963
Country: US
Director: Stanley Donen
Notable Actors: Audrey Hepburn, Cary Grant, Walter Matthau, James Coburn
Running Length: 113 minutes
Comments:
Capturing the essence of the 60s lounge-intrigue, this caper follows a dizzying twist of false identities, false motives, and even false pretenses. Hepburn and Grant play charmingly off each other and one is never in doubt that he is watching actors par excellance thoughout. Henry Mancini’s score does for Charade as John William’s does for Star Wars or Raiders. Donen’s film is, in the end, a whole lot of fun!
91
Mallrats
Year: 1995
Country: US
Director: Kevin Smith
Notable Actors: Jason Lee, Claire Forlani, Ben Affleck
Running Length: 94 minutes
Comments:
Far and away the best of Kevin Smith’s films to date, this jaunt through mall life offers what no other film can boast: over an hour of Brodie Bruce. Easily the funniest and most charismatic character to ever grace the comedic screen, Bruce is essayed with sublime ease by Jason Lee. Who cares that Mallrats is technically propelled by something going on with Jeremy London’s character—Jason Lee is the reason this film is in the Top Anything. If one can make it past the verbal crudity, Mallrats may well be the most uplifting film he has ever seen.
92
The Princess Bride
Year: 1987
Country: US
Director: Rob Reiner
Notable Actors: Cary Elwes, Mandy Patinkin, Robin Wright
Running Length: 98 minutes
Comments:
While filled to the brim with all the pieces that make up a rollicking good adventure yarn and roiling with more than a modicum of hearty laughs and quick wit, William Goldman’s tale plays more as an endearing faery tale boasting the power of true love. In fact, the sheer and utter romance of the film is so truly absorbing and truly brain-washing that when Wesley and Buttercup share a very chaste kiss at film’s end and the narration reads "In the history of true love, there have been five truly great kisses. But this one surpassed them all in its purity and its passion," we undoubtedly believe in spite of what we see. Now that is power.
93
Apt Pupil
Year: 1998
Country: US
Director: Bryan Singer
Notable Actors: Ian McKellen, Brad Renfro
Running Length: 111 minutes
Comments:
A truly chilling tale of the evil that men do—with an aftertaste of the supernatural, Bryan Singer’s sophomore work is even and steady as it creeps up on you and holds its knife to your throat. Based on a short story by Stephen King, Apt Pupil keeps its nail-biting courage until the credits roll thanks to Singer’s direction and McKellen’s fear-inspiring acting as an aging Nazi war criminal. Johnny and I had both edged to the last end of the sofa by the final minutes.
94
Ran
Year: 1985
Country: Japan
Director: Akira Kurosawa
Notable Actors: Tatsuya Nakadai
Running Length: 160 minutes
Comments:
Retelling Shakespeare’s King Lear in a setting of feudal Japan, Kurosawa fuels the tragedy with striking visuals and a style that may be initially strange to Western audiences. The tale is frenetic and anarchic. Despite the breath-taking visuals, the film is not cheery and does nothing to ease the spirit. Even the film’s title means "chaos" or "turmoil." Yet still, for all the chaos and lawless action on the screen, the director’s hand deftly takes its actors through their paces.
95
Unforgiven
Year: 1992
Country: US
Director: Clint Eastwood
Notable Actors: Clint Eastwood, Morgan Freeman, Gene Hackman, Richard Harris
Running Length: 131 minutes
Comments:
So much more than a simple cowboy flick, Eastwood’s directorial magnum opus didn’t do much for me when I first saw it. Of course, I was nineteen and had just run through his three Sergio Leone gunfests and well as The Outlaw Josey Wales (which by the way is wonderful until Sondra Locke shows up about two-thirds in). I expected fast action and lead death, not a fascinating character study of an aging ex-gunslinger. Even as The Good, the Bad and the Ugly stands as the high-watermark of Eastwood’s youth, so Unforgiven stands testament to his growth and maturation as both actor and director.
96
Evil Dead II
Year: 1987
Country: US
Director: Sam Raimi
Notable Actors: Bruce Campbell
Running Length: 85 minutes
Comments:
"What’s not to like about it? It’s so funny. And violent." There is no scene in a movie not strictly a comedy that is so entirely funny and deranged as when Ash begins to go mad in the cabin of his imprisonment. Laughing deer heads. Animated lamps, clocks, and rocking chairs. Bruce Campbell hopping up and down frantically in time with a bobbing lamp—just because. Ho boy, I’m laughing even now. Easy boy. Easy. Coincidentally, Raimi’s second go at the Evil Dead mythology is also chock-full of wonderfully inventive camerawork and some occasionally honest scares. Groovy.
97
The Royal Tenenbaums
Year: 2001
Country: US
Director: Wes Anderson
Notable Actors: Luke Wilson, Owen Wilson, Ben Stiller, Gwynneth Paltrow, Gene Hackman, Angelica Houston, Danny Glover, Bill Murray
Running Length: 109 minutes
Comments:
The best of Anderson queer brand of comedy to date, The Royal Tenenbaums brings to life in an almost documentary style the family Tenenbaum. In almost no way will the average viewer have anything in common with any of the characters or with their individual manias—and yet they are in all ways personable. Anderson treads well the fine line between humour and tragedy and utter insanity keeping his audience laughing and pitying simultaneously.
Comments:
At last a musical in the modern era that rattles and hums. Recrafting pop songs largely from the 70s and 80s and blending it with a frenetic sense of set design gone super nova, Luhrmann has created an astonishment to cause the senses to reel. The theme is haunting and the singing is dead on. Certainly and experience.
99
The Cell
Year: 2000
Country: US
Director: Tarsem Singh
Notable Actors: Jennifer Lopez, Vince Vaughn, Vincent D’Onofrio
Running Length: 107 minutes
Comments:
Simultaneously beautiful and horrifying, intriguing and disgusting, fanciful and disturbing, Singh’s artistic vision finds undaunted release in his manic sci-fi/psychological thriller/horror. His eye for cinematography is as strong as Welles’s and the scope and grandeur he avails himself through the film’s science fiction edge is perhaps unequalled. Sitting in a hushed theater as D’Onofrio’s character reveals himself as deity in the realm of his own mind, striding from a singular throne with the royal purple flowing as water behind him was one of my greatest cinematic joys. The Cell is simply yet another example of a director putting his best foot first.
Comments:
Ted Demme crafted in 1996 one of the most human treatments of generational angst that I have ever seen. The film stands largely as a slice-of-life tale detailing the means by which Willie (an able Timothy Hutton) transverses a sort of early-mid-life crossroads. He has come to a point of ambiguity in his life. And Demme uses the catharsis of a confused return to his hometown and old friends to offer a conclusion that satisfies without feeling contrived or without wrapping up too many loose ends.
Runners Up
(because I have yet to see them - and some of these are really embarrassing)
Coppola's Godfather
Coppola's Godfather II
Kieslowski's Decalogue
Scrosese's Taxi Driver
Scrosese's Raging Bull
Fellini's La Dolce Vita
Allen's Manhatten
Allen's Annie Hall
Radford's Il Postino
Kieslowski's Colours Trilogy
Lean's Lawrence of Arabia
Wilder's Some Like It Hot
Donen and Kelly's Singin' in the Rain
Schaffner's Patton
Kubrick's 2001: A Space Odyssey
Vinterberg's Festen (The Celebration)
von Trier's Dancer in the Dark
Bergman's Det Sjunde inseglet (The Seventh Seal)
These are a few. I'm sure there are others. But I'll get to them later or sooner and then I'll update the list to reflect what I've seen. So hold off your rage a little. And for anyone who cares, here are some of the breakdowns of what kinds of films I chose:
Yes, I s'pose it is pretty obvious how I feel about films from the '70s *shrug*
Fantasy? Reality? Who gives a rip?
You know you're in trouble when you read "Middle East is unstable" and think, Well, duh. With the Eye of Sauron on the rise and all, of course it is! Only to realize five minutes later that it was the East not the Earth that was unstable. *sigh* Pop culture will be the Mount Doom of me.
I was thinking about The Last Temptation of Christ recently. And thinking about this has provoked an interest in the ethics of human sexuality. For those unfamiliar, Martin Scorsese filmed in 1988 an adaptation of Nikos Kazantzakis’s book of the same name—and was met with virulent opposition by the usual religious zealotry (Bright, Falwell, the Pats, et cetera). One of the chief concerns that spurred this organized opposition is that Jesus, in a final temptation upon the cross (taking place between the “Why have you forsaken me?!” and the “It is finished”), Satan offers Christ the life of a simple man, married to Mary Magdalen, procreating, and raising children.
Not defending the film—as I think it plays far too fast and loose with the established record of the life and motivation of Christ—but the fact that churchgoers thought it horrifying that people might perceive Christ as a sexual being raises a few issues in my mind. And they’re really more issues with the modern American Protestant’s (and yes, I include Baptists as Protestants, you freakin’ elitists) view of sexuality.
To me, it seems that sexuality is one of the basic human appetites. Not something birthed of the Fall, the sexual side of man seems something as natural to his make—up as his other appetites (e.g., for food or for rest). There isn’t really any strong biblical evidence to support this beyond the fact that God created man male and female (an inherent sexual distinction); but then there is less evidence to support a view that sexuality is less than natural to the human frame.
And so, what is the bother to us (beyond our Victorian prudishness) that Jesus be a man of sexual nature as well? Should there be any? Do we wish to believe that sexual appetite outside of marriage is sin (for if it is, then surely Christ could not have had any such appetite)? What is the nature of sexual desire—when is it innocent of error and when is it befouled and a hindrance of righteousness? Can Christ have had a human sexuality and still have remained without sin (of either mind or action, of course)? Is it a valid more that we so diligently shy from open discussion of matters sexual in nature?
I think these are all valuable questions. And I think the fact that I don’t think I’ve ever really heard them answered is due to the inordinate fear American Christians hold towards questions of sex and human nature. I think our societal heritage has so loaded us down with moral baggage that we are uncomfortable even dealing with the topic out in the open—it has always been such a behind—closed—doors subject. And I think that’s wrong.
This doesn’t of course mean that I’m any different (or consider myself somehow “enlightened”). Rather, I’m plagued by the shame of society as well, and wince uncomfortably even as I ask these questions. Hundreds of years of social mores are a heavy weight indeed.
So while I’m going to take a few days to flesh out my speculations (in order that I avoid any of that brute sort of heresy that so easily slips out when people speak their minds), I hope to find as many answers as I am able after the new year (I’m in the midst of a very time—consuming project that I hope to unveil late New Year’s Eve). Any thoughts, corrections, or revelations along the way shall be much welcomed.
I'm getting a new roommate. I thought you all might be entertained by the rules I give the prospectives.
+ Rent is due on the 1st of each month - gas, water, and electric are covered.
+ Common courtesy is nice, so if you're going to have a bunch of people over, just let your housemates know.
+ If you or your guests are smokers, please don't indulge inside. If you must, the deck or porch are okay.
+ I don't mind if you drink a beer here or there, but binges or any other lack of sobriety is not tolerated.
+ Illicit drug use is strictly forbidden.
+ Bringing girlfriends over is fine, but no sleepovers and no sex.
+ Homosexuality is right out.
+ Don't go into your roommates rooms unless they know or are okay with it.
+ If you want to borrow a movie from the collection, ask first.
Ammendments according to recommendations by Mikey:
• Rule #9: If you want to borrow a movie from the collection, tough luck. There is no such thing as borrowing movies. However, you may rent them at exorbitant prices with non-negotiable late fees if returned later than 5 minutes past credit roll.
• Rule #9 A: Free viewing of movies may be allowed under the following circumstances.
• Rule #9 a sub1: Prior consent from The Dane, under the stipulation that desired movie is viewed within the confines of The Dane's abode.
• Rule #9 a sub2: Attending designated movie nights with The Dane.
• Rule #9 B: There will be no rearranging of the movies designated shelf slot.
• Rule #9 C: Any movie removed from it's proper case, shall be returned to it's proper case immediately after viewing. As of January 1, 2003, finger prints will be taken when a disc is discovered missing. The suspect will be automatically found guilty and owe 18 times what the movie was worth to the producers who made it.
• Failure to abide by Rule #9 and all sub-sections will be punishable by torture as seen fit by The Dane.
+ I'll give you a degree of moral latitude (i.e., your life and choices are your own) and I'll try not to infringe upon your prerogatives that don't break any house rules UNLESS you specifically tell me you want the accountability - then I'll do what I can to keep you in line, remind you to go to church, ask you occasionally embarrassing questions, etc :-D
"And she shall bring forth a son, and thou shalt call his name JESUS: for he shall save his people from their sins" (Matthew 1:21).
Long did the world await His coming. Long did the people of God pine for the promised Seed. Long did we desire the advent of the one who would bring about the kingdom of God. And He has come! And He has risen! Christ came to earth in sinless perfection, lived His life in perfect holiness, gave up perfection to become our sin, and took up perfection once more in His resurrection! Praise the Lord for His salvation all you who believe!
Looking over the Mission Hospital medical report, I now realize that what I once thought was symptomatic of my spinal troubles was really only symptomatic of Brandon's flirtatious nature. As it turns out, he 'fessed up and what I felt in my back was only Brandon snapping my bra. Carry on.
Fun and Games with The Dane's Anatomy:
Here's a snap of my spine! Follow the Yellow Birck Road of my spinal cord to discover the problem in my mid back! (helpful hint: when seen from this angle, spinal cords and columns are s'posed to be straight!). Good Luck!
Note: games involving the problem in my upper back and the problem in my neck may soon follow - hold onto your hats!
After finishing Eco's The Name of the Rose (and still not understanding the title), I indulged in three easy fantasy novels (all by Raymond E. Feist) to settle my reading mind. Now, ready to once again buckle down, I've begun simultaneously three nonfiction works. The first, a gift, is an examination of the inner workings of Japan's political/industrial system (or so the book's subscript claims) by Karel van Wolferen called The Enigma of Japanese Power. The second is a study of thematic, narrative, character, and cinematic aspects of the film ouevre of Hayao Miyazaki - the most wonderful director of animated film I've yet witnessed. The third is the true gem (as all who know truth will readily acknowledge): If Chins Could Kill: Confessions of a B Movie Actor. Yes. It's written by Bruce Campbell. BRUCE CAMPBELL!! Look, listen, kneel, pray! *uhh, sorta kidding, get up* Bruce Campbell is a funny, funny man and desrves way better than he gets. He also deserves to know better people than those wacky Raimis who "write" the introduction to the man's memoirs. In any case, with the übercrazy schedule I've created for myself (read: BIG project set for release on the 1st of the new year!), I likely won't actually finish any of these before the month is out.
But I thought it important that you know I'm cultivating my mind with something more than just old videotapes of Johnny Bravo. Not that there's anything wrong with that.
I got two early Chirstmas presents this year: working internet again (yay!) and the Leaning Tower of Spinal Column (humbug!). Yep, I got my X-Rays and now I know exactly why my back hurts. Actually, after seeing the pix, I'm surprised that I can walk at all (which, by the way, I'm thankfully able to do now). *frown wince*
Either tests are dumb (which they may well be) or I could only be happy in a very small range of careers. I took the test that Rustle took and here are the suggested occupations with all the ridiculous choices scratched off.
Actor Advertising Executive Agent Antiques Dealer Art Dealer
Artist Attorney Auctioneer Auto Salesperson Bank Officer Bar/Club Manager Benefits Administrator Biologist Buyer Career Counselor Clergy--Priest Rabbi and Minister Clothing/Jewelry/Cosmetics Generalist Coach Consultant Diplomat/Attache/Foreign Service Officer Disc Jockey Economist
Film Director Financial Analyst Foreign Exchange Trader Fundraiser/Institutional Solicitor
Graphic Designer Guidance Counselor Hotel Manager Human Resources Manager Insurance Agent/Broker Investment Banker Labor Relations Specialist Lobbyist Market Researcher Marketing Executive Media Specialist Military Officer Music Executive
Musician Nuclear Engineer Nutritionist Occupational Therapist Performing Arts Administrator Pharmaceutical Sales Representative Physical Therapist Physician Political Aide Political Scientist Politician
Professor Promoter Property Manager Psychologist Public Health Administrator Publicist Real Estate Agent/Broker Researcher Restauranteur Retail Salesperson School Administrator Service Sales Representative Small Business Owner Social Worker Sociologist Speech Therapist Stockbroker Substance Abuse Counselor Telecommunications Specialist
Television Reporter Translator Travel Agent Venture Capitalist/Investor
Wedding Consultant
A couple noticeable omissions and jobs I would seriously consider were author, graphic novelist, radio show host, hypertext architect (my current profession of choice), traffic reporter, and professional critic.
Funny, I was just gonna blog about names and naming. My kid is gonna be named without a meaning. He will not be named with any purpose in mind other than does his name sound cool (unless my wife turns out to be a goblin and demands that her happiness rest upon her kid having a name with ancient meaning).
It might be different if I were in a culture where people cared about stuff like that, but when I meet someone named Sarah, I don't wonder what her name means. I don't wonder about Jorge or Michael or Brian or Teddy. And I don't think anyone cares that my name somehow means "Appointed Protector Honoured of God" - supposedly my name would mean that no matter what kind of person I turned out to be (honest Christian or villainous worker of iniquity).
I think it might be a uniquely Western trait, but I prefer the idea of making a name for oneself. No matter what the sounds that form my name, the meaning of that name is the meaning that I give it by the life I lead - so that when someone hears the name Seth T. Hahne, they immediately think, "Courage, integrity, imagination." Or something like that. Okay, fine, that was wishful thinking and I know you're all thinking of meanings very much different so fine *sticks out tongue*
Therefore, since people create the meaning of their name themselves, I think the best thing is to have a cool-sounding name divorced from implied meaning so that won't get in the way when people hear my name. Of course, it could be that I'm just being dumb.
I'm soooo sad the name of Jesus is mixed up in this website.
I was sent a link to this site and some others by a zealous user of the Blue Letter Bible. Coincidentally, his name is Dane. Here follows my response to him:
Dear Dane,
The articles you sent were intriguing but misguided. They represent the neonomianism that has plagued the church for centuries (even so early as in the New Testament church). The writers of each article, while genuine in their desire to purify the church, are overly dogmatic and sensationalist. In their desire to keep believers from celebrating the Advent during the Christmas season, they fail to understand Christmas at all. There are too many flaws for me to detail each specifically, but here are a few.
25 December: This is not the day that we claim to be the birthday of Christ, but merely the day upon which many have chosen to specifically celebrate that wonderful aspect of his life and work. Just as every Lord's Day, all his people gather to celebrate his new birth, so do many gather to celebrate his first birth.
The Christmas Tree: This is just a decoration. This bears no relation at all to the Jeremiah 10:3-5 passage. Jeremiah is concerns with the fashioning of idols by the nations into whose hands Israel had fallen (or would soon fall). More, he is telling the people of God not to fear such idols for they are powerless. I have never met anyone who has made their Christmas tree a thing to be worshipped. Some put it up because it is understandably festive and some put it up for tradition's sake, but I cannot seriously entertain the idea that believers are decorating Christmas trees in order to worship them (or even aid in the worship of the true God).
The Origin of Christmas: Origins of holidays mean nothing. Holidays are subjective by their very nature. While one person uses Christmas as a celebration of the coming of Christ, another uses it to celebrate peace on earth and good will toward men, and a third will use the day to celebrate family and togetherness. Each meaning given the day is perfectly valid insofar as it is the *real* meaning of Christmas for each individual. This same function operates for all holidays - a day of celebration is only a celebration of that which each individual wishes to celebrate. Easter can be a celebration of the birth of the new creation and the establishment of the heavenly kingdom or it can be a celebration of hiding eggs. Cinco de Mayo can be a celebration of personal independence from tyranny or it can be a celebration of alcohol. Halloween can be a celebration of spirits and witchcraft or it can be a celebration of fun and friendship. The Fourth of July can be a celebration of the illegitimate rebellion of wealthy landowners against their government or it can be a celebration of the current liberty enjoyed in America. All of these are meanings that can be considered a "true" meaning - for there is no true meaning for any of these holidays and nobody celebrates a holiday as it was originally designed.
Christmas Songs: Admittedly, some songs of Advent misrepresent the coming of our Lord. This is where the admonition about not throwing out the baby with the bath water applies. If we were to apply the author's logic to song's of Christian praise as well, we would no longer sing the praises of our Lord (nor even celebrate him) for there are innumerable songs of worship that misrepresent deity and the Gospel. A more circumspect route would be simply to abstain from inappropriate songs and rejoice properly in the good ones. Some great songs of Advent that would be tragic to leave behind are "O Come, O Come Emmanuel," "Come Thou Long Expected Jesus," "Joy to the World," "Angels We Have Heard on High," and "O Holy Night."
Other Issues: The author clearly has trouble understanding the role of nations within the New Covenant and imagines astoundingly that World War II came about as a judgment of American and British Christmas celebration. He also bears an intolerable grudge against Roman Christianity - implying that she is the "mystery Babylon" - and without substantiation refers to Christmas as "THE SIN OF ROMAN CATHOLIC PAGAN IDOLATRY."
Quite frankly, the author seems to have a conclusion presupposed and will use any means to prove this point no matter how ill-reasoned. He spends more of his page misinterpreting Scripture, mistaking history, and preaching virulent bile than he does clearly, concisely, and accurately expounded the whole counsel of God. There is little support for his claims of woe and they accurately portray neither the tenor of Scripture nor the holiday as it in reality is. The questions he wishes us to ask of ourselves under Point 8 are especially helpful in revealing the authors obsessive drive to be right at the cost of that which is sensible (they are frothing with angry bias).
Honestly, though the author's intent may indeed be righteous (as he seems to honestly desire righteousness in the church), he proceeds with neither love nor mercy. He wants so badly for Christmas to be the devil that he honestly imagines it is. This is the danger of the untempered quest for purity: haste. Haste to believe the worst. Haste to condemn. And haste to embrace legalism. I sorrow for the author, but more, I sorrow for those caught in the trap of his words (and prominent website name).
I hope this will better equip you to judge the articles. Pray to the Lord. Study the word. And follow your conscience in these matters. And importantly, unless you have undeniable Scripture to back your conscience, never force it upon the consciences of others.
Yep. It really happened. I was taken to the hospital Tuesday afternoon by Gouda and the Li’l Donut Girl (these are coworkers in case you’re confused). The pain between my shoulder blades had rendered me next to useless - I sat stationary in the same chair from 8:4o (the time of The Incident) ‘til 1:2o (when they decided I needed a hospital). And so I spent the rest of the day explaining symptoms to nurses, trying to make conversation with nurses, getting banged up by nurses, changing into backless gowns for nurses, and generally wondering what’s the use of nurses. Then I was sent home doped to the gills and unsure of anything beyond the fact that it hurts to move. It still does too, but at least I can now move my head slightly (as aiming was definitely impaired for pottytime – and yes, that was my biggest concern during my early time of infirmity).
Now what reckless adventure had I embarked upon to merit me such an ill-fortuned back trouble? What youthful scheme had I forced upon my not-so-youthful-as-it-once-was body? What extreme action had I purposed with such abandon that consequences were thrown asunder?
I stretched.
You know. Stretching. That thing you’ll occasionally do in conjunct with a contented yawn. Yup. I stretched and in mid-stretch, something went BZZZoing! And the world froze. Eyes shut tight, I lost all sense of what was and where that what would be and who that what would be happening to and all save the single, unalterable fact that something, somewhere, was hurting someone badly. And that someone was me.
And apparently still is. *sniff* Yes. It’s true. I am hurty. And the moral of this story is if you’re over 25, stretch before you stretch. It’ll save you in the end. Trust me.
The best part of The Name of the the Rose follows. It is undeniable logic and will needs no exposition by me for you to feel its full weight.
You look at [the girl] because she is beautiful. She is beautiful, is she not? Be on guard, my son.... The beauty of the body stops at the skin. If men could see what is beneath the skin, they would shudder at the sight of a woman. All that grace consists of mucus and blood, humors and bile. If you think of what is hidden in the nostrils, in the throat, and in the belly, you will find only filth. And if it revolts you to touch mucus or dung with your fingertip, how could we desire to embrace the sack that contains that dung?
For those of you who may worry about X taking the Christ out of Christmas, please note:
Xmas has been used for hundreds of years in religious writing, where the X represents a Greek chi, the first letter of XPWTOS, “Christ.” In this use it is parallel to other forms like Xian, “Christian.” But people unaware of the Greek origin of this X often mistakenly interpret Xmas as an informal shortening pronounced (eks´mes). Many therefore frown upon the term Xmas because it seems to them a commercial convenience that omits Christ from Christmas.
Further Fun from The Dane
Still insired by Valerie.
13. Okay, okay. The bloggers I really have the most fun arguing with. KrisNine, Miss Erie, Dani, Ellen, Emeth (well, maybe not since she never really argues back), Scott (and really anyone at DYL), and that crazy guy with all the really strange ideas: Esteban. Anyone else notice that its the girls who are the most uppity? Oh yeah, and my favourite was always that great Lady Mel - cause she was almost a midget to boot!
14. Which blogger would you go on a single date with if you had the opportunity?
Mel. For the reasons listed above.
15. Which prevalent dead horse do you feel was beaten most severely?
That's a good question. I'd probably toss it up between trusting web content after the whole Kaycee Nicole debacle and the whole Blogs4God vs. ChristianTop1000 vs. sanity ;-)
16. Which blog can you just not read anymore for fear that you will do someone bodily harm (you know, the way you feel when listening to that strumppet Dr. Laura Schlesshillamainger)? Mark Byron's. It's true. Sorry.
17. Which blogger seems to understand you the least?
Maybe Dani. I think that's a large part of the reason we argue whenever she posts here. The non-blogger who I think least gets what I'm saying is the Octothorp v.9 (and that's why I always keep my plastic lobster handy).
19. Which blog is the hardest to read due to aesthetic reasons?
Hate to say it, but I have to strain to see KrisNine's links. Her blog is fine. It's just them pesky links!
20. What do you think is the most evil thing that can happen to a blog site? Target="_blank" need I say more? Makes me wanna drive my head through something soft, cute, and furry.
Giving props where props are due:
The bulk of this quiz comes from Valerie.
1. Which blogger have you known longest online?
Good ol' Rustoleum got me my start by convincing me I should add a blog to my site (simply by having one on his own site).
2. Which blogger have you known longest IRL?
I've known The Olive since April or so 1987. That's about as long as I've known most people IRL.
3. Which blogger have you spent the most time with IRL?
I was the landlord/surrogate son of The Samurai Barber and his wife for about two years, so it'd probably hafta be them. [whoops, almost forgotted Brandolino - whom I see about 40 hours a week. or so.]
4. Which blogger would you most like to meet IRL (that you haven’t met IRL)?
Gosh. What a mean question. I hate to crush the hope of anyone out there, but it'd hafta be the Amazing Jettgirl. Apologies to everyone else who came close but aren't quite so fascinating as Jett (runners up include, at the top, Jimmy the Hartbreaker, Emeth the Frog Crusher, and the two Sarah's )Blog Thexian, and Musical Jones)) [crud, this forgetting thing is ridiculous, cuz I wouldn't mind hangin' with Pow someday either...]
5. Which blogger do you think has the best blog design?
I'd be a jerk if I said mine, huh? Well, the site design I most enjoy in which I have played no part would have uhm... I'd say Brown Pow's (since some of his designs kick keister), but the fact that it changes every time I visit makes me wanna gouge out my eyes and cry for buttermilk. So I'll vote for Wockerrabi's old Patriotic Rock Climbing Design. I also liked Emeth's a lot - until she got rid of the frog :-( *sniff*
6. Which blogger do you like most to argue with?
Anyone who has a comment system and states the patently false as though it were truth (e.g., America was founded on Christian principle, birth control is wrong, courtship is biblical, smoking is sin, prosperity is the manifest blessing of God in the NT, or Magnolia was a great film). Oh yes, and dat means all o' youse!!
8. Which blogger intimidates you the most?
I have yet to meet a blogger beautiful enough to intimidate me.
9. Which blogger do you most wish would post more often? The Olive.
10. Which blog is the most heartfelt? Jett's. Without doubt. Oh, and Kaycee's too - man that's tough stuff (I can hardly believe she could be so real).
11. Which blog makes me want to pull out the most hair?
On a post-by-post ratio, I'd say it'd hafta be Emeth's (but only because I think she's cool in spite of how viscerally I sometimes disagree with her perspective on matters of faith).
12. Which is the most annoying habit of bloggers?
This is a three-way tie between their affection of personality quizzes, the bloggers who use highfalutin philosophical lingo that makes little sense because it has been so obscured by jargon, and bloggers who have never met people but consider them friends.
Because I love you all dearly and haven't had time to post due to missing internet services and looooong work days. But to cheer you up and help you know I haven't abandoned you in your hour of need, I happily present you with the most tangeble fruit of the last three weeks of meetings: 29 New Doodles!
By the way, here's some liner notes: The doodle entitled 'Jorge' is based on Eco's monk by the same name - he is made righteous by his indignation. 'Draco Battles' features two people (a man and a young girl) watching two dragons tussle in the distance; they shield their eyes from the sun (I zoomed in on the girl because she kinda looked like a fire hydrant). 'In Another Meeting' shows how I feel in any meeting, but especially those of recent weeks: stifled, traped, persecuted, and doomed. 'This Morning' demonstrates the certain madness that fills me every morning in the office - it's pretty common knowledge that I'm a NiteOwl and mornings are the devil. There's more I could say, but you probably don't wanna know.
Fight Club
Seven Samurai
Snow Falling on Cedars
Casablanca
Citizen Kane
Dark City
Gattaca
La Cité des Enfants Perdus (City of Lost Children)
Brazil
Schindler’s List
Das Boot (The Boat)
Il Buono, il Brutto, il Cattivo (The Good, the Bad, and the Ugly)
12 Monkeys
Donnie Darko
Nuovo Cinema Paradiso (Cinema Paradiso)
Mononoke Hime (Princess Mononoke)
12 Angry Men
Memento
Double Indemnity
The Spy Who Came in from the Cold
The Shawshank Redemption
The Third Man
El Espinazo del Diablo (The Devil’s Backbone)
Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb
Lord of the Flies
The Empire Strikes Back
To Kill a Mockingbird
Pulp Fiction
Star Wars
O Brother Where Art Thou
High Fidelity
Touch of Evil
Edward Scissorhands
The Empire of the Sun
Requiem for a Dream
Say Anything
Abre Los Ojos (Open Your Eyes)
It’s a Wonderful Life
Monty Python and the Holy Grail
Le Fableaux Destin d’ Amélie Poulain (Amélie)
The Lord of the Rings
Sen to Chihiro no Kamikakushi (Spirited Away)
The Adventures of Baron Munchausen
The Graduate
C'era una Volta il West (Once Upon a Time in the West)
Die Hard
Der Krieger und die Kaiserin (The Princess and the Warrior)
Akahige (Red Beard)
Lock, Stock and Two Smoking Barrels
Waking Life
Gettysburg
Rashomon
Mimi wo Sumaseba (Whisper of the Heart)
Out of Sight
Pleasantville
Se7en
The Secret Adventures of Tom Thumb
Detour
Hotaro no Haka (Grave of the Fireflies)
Eat Drink Man Woman
Mr. Smith Goes to Washington
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L.A. Confidential
Fear and Loathing in Las Vegas
Raiders of the Lost Ark
The Big Sleep
The Usual Suspects
The Nightmare Before Christmas
When Harry Met Sally
The Last of the Mohicans
The Matrix
Tianguo Niezi (The Day the Sun Turned Cold)
Saving Private Ryan
Dut Yeung Nin Wa (In the Mood for Love)
Rosencrantz and Guildenstern Are Dead
Reservoir Dogs
Invasion of the Body Snatchers
Tengoku to Jigoku (High and Low
Beauty and the Beast
Mother Night
Aliens
Wo De Fu Qin Mu Qin (The Road Home)
Léon: The Professional
Jing Ke Ci Qin Wang (The Emperor and the Assassin)
Stalag 17
The Hamster Factor & Other Tales of the 12 Monkeys
The Importance of Being Earnest
Yojimbo
Iron Giant
Charade
Mallrats
The Princess Bride
Apt Pupil
Ran
Unforgiven
Evil Dead II
The Royal Tenenbaums
Moulin Rouge!
The Cell
Beautiful Girls
Dreidl, dreidl, dreidl! 
David Fincher has a flair for looking at life through a scarred lens, but with Fight Club he takes that wounded perspective and channels it into a tale worthy of its gaze. This is the kind of film that adjectives like "gritty," "edgy," and "dark" have long been employed to describe—so much so that those words have been rendered as trite cliché. Yet each truthfully describes this masterpiece of vision. Others follow. Caustic. Absorbing. Angst-ridden. Slick. Hard. Violent. Sexy. Nihilistic. Cynical. Psychotic.
Or more to the point: perfect. Fight Club is one fine piece of filmmaking. From its flawless acting to its fine-eyed editing to its trancing soundtrack to its blinding cinematography to its bile-induced narrative to its mind-bending screenplay to its masterful direction, Fight Club stands as a film without flaw. Its tension and anger keep its viewer strapped-in, afraid to miss what may come next. It builds and builds and builds toward an unstoppable point of release and when all is said and done, the film has just begun to take its affect on the viewer.
Fight Club is one of those rare films that stays with a person through the days, weeks, months, years after having seen it. It is an experience to be puzzled over.